Revelation
...
And the second angel sounded,
and as it were a great mountain burning with fire was cast into the sea
and the third part of the sea became blood
And the third part of the creatures which were in the sea
and had life,
died
and the third part of the ships were destroyed.
...
Again - Taking from the book Daniel and Revelation by Uriah Smith--
*
The Second Trumpet.--The Roman Empire, after Constantine the Great, was divided into three parts. Hence the frequent remark, "a third part of men," is an allusion to the third part of the empire which was under the scourge. This division of the Roman kingdom was made at the death of Constantine, among his three sons, Constantius, Constantine II, and Constans. Constantius possessed the East, and fixed his residence at Constantinople, the metropolis of the empire. Constantine II held Britain, Gaul, and Spain. Constans held Illyricum, Africa, and Italy.
The sounding of the second trumpet evidently relates to the invasion and conquest of Africa, and afterward of Italy, by Gaiseric (Genseric), king of the Vandals. His conquests were for the most part naval, and his triumphs were "as it were a great mountain burning with fire, cast into the sea."
What figure would better, or even so well, illustrate the collision of navies, and the general havoc of war on the maritime coasts? In explaining this trumpet, we are to look for some events which will have a particular bearing on the commercial world. The symbol used naturally leads us to look for agitation and commotion. Nothing but a fierce maritime warfare would fulfill the prediction.
If the sounding of the first four trumpets relates to four remarkable events which contributed to the downfall of the Roman Empire, and the first trumpet refers to the ravages of the Goths under Alaric, in this we naturally look for the next succeeding act of invasion which shook the Roman power and conduced to its fall.
The next great invasion was that of Genseric, at the head of the Vandals. His career reached its height between the years A.D. 428-468. This great Vandal chief had his headquarters in Africa. But as Gibbon states, "The discovery and conquest of the black nations [in Africa], that might dwell beneath the torrid zone, could not tempt the rational ambition of Genseric; but he cast his eyes towards the sea; he resolved to create a naval power, and his bold resolution was executed with steady and active perseverance." [5] From the port of Carthage he repeatedly made piratical sallies, preyed on the Roman commerce, and waged war with that empire. To cope with this sea monarch, the Roman emperor, Majorian, made extensive naval preparations.
"The woods of the Apennines were felled; the arsenals and manufacturers of Ravenna and Misenum were restored; Italy and Gaul vied with each other in liberal contributions to the public service; and the imperial navy of three hundred large galleys, with an adequate proportion of transports and smaller vessels, was collected in the secure and capacious harbor of Carthagena in Spain. . . . But Genseric was saved from impending and inevitable ruin by the treachery of some powerful subjects, envious, or apprehensive, of their master's success. Guided by their secret intelligence, he surprised the unguarded fleet in the Bay of Carthagena: many of the ships were sunk, or taken, or burnt; and the preparations of three years were destroyed in a single day. . . .
"The kingdom of Italy, a name to which the Western Empire was gradually reduced, was afflicted, under the reign of Ricimer, by the incessant depredations of the Vandal pirates. In the spring of each year, they equipped a formidable navy in the port of Carthage; and Genseric himself, though in a very advanced age, still commanded in person the most important expeditions. . . .
"The Vandals repeatedly visited the coasts of Spain, Liguria, Tuscany, Campania, Lucania, Bruttium, Apulia, Calabria, Venetia, Dalmatia, Epirus, Greece, and Sicily. . . .
"The celerity of their motions enabled them, almost at the same time, to threaten and to attack the most distant objects, which attracted their desires; and as they always embarked a sufficient number of horses, they had no sooner landed, than they swept the dismayed country with a body of light calvary." [6]
A last and desperate attempt to dispossess Genseric of the sovereignty of the seas, was made in the year 468 by Leo I, the emperor of the East. Gibbon bears witness to this as follows:
"The whole expense of the African campaign, by whatsoever means it was defrayed, amounted to the sum of one hundred and thirty thousand pounds of gold, about five million and two hundred thousand pounds sterling. . . . The fleet that sailed from Constantinople to Carthage consisted of eleven hundred and thirteen ships, and the number of soldiers and mariners exceeded one hundred thousand men. . . . The army of Heraclius and the fleet of Marcellinus either joined or seconded the imperial lieutenant. . . . The wind became favorable to the design of Genseric. He manned his largest ships of war with the bravest of the Moors and Vandals, and they towed after them many large barks filled with combustible materials. In the obscurity of the night, these destructive vessels were impelled against the unguarded and unsuspecting fleet of the Romans, who were awakened by the sense of their instant danger. Their close and crowded order assisted the progress of the fire, which was communicated with rapid and irresistible violence; and the noise of the wind, the crackling of the flames, the dissonant cries of the soldiers and mariners, who could neither command nor obey, increased the horror of the nocturnal tumult. Whilst they labored to extricate themselves from the fire ships, and to save at least a part of the navy, the galleys of Genseric assaulted them with temperate and disciplined valor; and many of the Romans who escaped the fury of the flames, were destroyed or taken by the victorious Vandals. . . . After the failure of this great expedition, Genseric again became the tyrant of the sea; the coasts of Italy, Greece, and Asia were again exposed to his revenge and avarice; Tripoli and Sardinia returned to his obedience; he added Sicily to the number of his provinces; and before he died, in the fullness of years and of glory, he beheld the final extinction of the empire of the West." [7]
Concerning the important part which this bold corsair acted in the downfall of Rome, Gibbon uses this significant language: "Genseric, a name which, in the destruction of the Roman Empire, has deserved an equal rank with the names of Alaric and Attila." [8]
Edward Gibbon, The Decline and Fall of the Roman Empire
[6] Ibid., 481-486.
[7] Ibid., 495-498.
[8] Ibid., chap. 33, p. 370.
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Revelation
...
And the third angel sounded,
and there fell a great star from heaven,
burning as it were a lamp,
and it fell upon the third part of the rivers,
and upon the fountains of waters;
And the name of the star is called Wormwood:
and the third part of the waters became wormwood;
and many men died of the waters,
because they were made bitter.
...
Taken from the book Daniel and Revelation by Uriah Smith-
*
The Third Trumpet.--In the interpretation and application of this passage, we are brought to the third important event which resulted in the subversion of the Roman Empire. In revealing the historical fulfillment of this third trumpet, we shall be indebted to the notes of Albert Barnes for a few extracts. in explaining this scripture, it is necessary, as this commentator says, "that there would be some chieftain or warrior who might be compared with a blazing meteor; whose course would be singularly brilliant; who would appear suddenly like a blazing star, and then disappear like a star whose light was quenched in the waters. That the desolating course of that meteor would be mainly on those portions of the world that abounded with springs of water and running streams. That an effect would be produced as if those streams and fountains were made bitter; that is, that many persons would perish, and that wide desolations would be caused in the vicinity of those rivers and streams, as if a bitter and baleful star should fall into the waters, and death should spread over the lands adjacent to them, and watered by them." [9]
It is here premised that this trumpet has allusion to the desolating wars and furious invasions of Attila, king of the Huns, against the Roman power. Speaking of this warrior, particularly of his personal appearance, Barnes says:
"In the manner of his appearance, he strongly resembled a brilliant meteor in the sky. He came from the East gathering his Huns, and poured them down, as we shall see, with the rapidity of a flashing meteor, suddenly on the empire. He regarded himself also as devoted to Mars, the god of war, and was accustomed to array himself in a peculiarly brilliant manner, so that his appearance, in the language of his flatterers, was such as to dazzle the eyes of beholders." [10]
In speaking of the locality of the events predicted by this trumpet, Barnes has this note:
"It is said particularly that the effect would be on 'the rivers' and on 'the fountains of waters.' If this has a literal application, or if, as was supposed in the case of the second trumpet, the language used was such as had reference to the portion of the empire that would be particularly affected by the hostile invasion, then we may suppose that this refers to those portions of the empire that abounded in rivers and streams, and more particularly those in which the rivers and streams had their origin--for the effect was permanently in the 'fountains of waters.' As a matter of fact, the principal operations of Attila were in the regions of the Alps, and on the portions of the empire whence the rivers flow down into Italy. The invasion of Attila is described by Gibbon in this general language: 'The whole breadth of Europe, as it extends above five hundred miles from the Euxine to the Adriatic, was at once invaded, and occupied, and desolated by the myriads of barbarians whom Attila led into the field.' " [11]
The Name of the Star Is Called Wormwood.--The word "wormwood" denotes bitter consequences. "These words--which are more intimately connected with the preceding verse, as even the punctuation in our version denotes--recall us for a moment to the character of Attila, to the misery of which he was the author or the instrument, and to the terror that was inspired by his name.
" 'Total extirpation and erasure,' are terms which best denote the calamities he inflicted. . . .
"It was the boast of Attila that the grass never grew on the spot which his horse had trod. 'The scourge of God' was a name that he appropriated to himself, and inserted among his royal titles. He was 'the scourge of his enemies, and the terror of the world.' The Western emperor with the senate and people of Rome, humbly and fearfully deprecated the wrath of Attila. And the concluding paragraph of the chapters which record his history, is entitled, 'Symptoms of the Decay and Ruin of the Roman Government.' The name of the star is called wormwood." [12]
[9] Albert Barnes, Notes on Revelation, p. 239, comment on Revelation 8: 11.
[10] Ibid.
[11] Ibid., p. 240.
[12] Alexander Keith, Signs of the Times, Vol. I, p. 267-269.
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Revelation
...
And the fourth angel sounded,
and the third part of the sun was smitten
and the third part of the moon
and the third part of the stars
so as the third part of them was darkened
and the day shone not for a third part of it
and the night likewise.
And I beheld,
and heard an angel flying through the midst of heaven
saying with a loud voice,
Woe, woe, woe, to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound!
...
Taken from the book Daniel and Revelation by Uriah Smith--
The Fourth Trumpet.--We understand that this trumpet symbolizes the career of Odoacer, the first barbarian ruler of Italy, who was so intimately connected with the downfall of Western Rome. The symbols sun, moon, and stars--for they are undoubtedly here used as symbols--evidently denote the great luminaries of the Roman government, its emperors, senators, and consuls. The last emperor of Western Rome was Romulus, who in derision was called Augustulus, or the "diminutive Augustus." Western Rome fell in A.D. 476. Still, however, though the Roman sun was extinguished, its subordinate luminaries shone faintly while the senate and consuls continued. But after many civil reverses and changes of political fortune, at length the whole form of the ancient government was subverted, and Rome itself was reduced from being the empress of the world to a poor dukedom tributary to the Exarch of Ravenna.
The extinction of the Western Empire is recorded by Gibbon as follows:
"The unfortunate Augustulus was made the instrument of his own disgrace: he signified his resignation to the senate; and that assembly, in their last act of obedience to a Roman prince, still affected the spirit of freedom, and the forms of the constitution. An epistle was addressed, by their unanimous decree, to the emperor Zeno, the son-in-law and successor of Leo, who had lately been restored, after a short rebellion, to the Byzantine throne. They solemnly 'disclaim the necessity, or even the wish of continuing any longer the imperial succession in Italy; since in their opinion the majesty of a sole monarch is sufficient to pervade and to protect, at the same time, both the East and the West. In their own name, and in the name of the people, they consent that the seat of universal empire shall be transferred from Rome to Constantinople; and they basely renounce the right of choosing their master, the only vestige that yet remained of the authority which had given laws to the world.' " [13]
Keith comments on the downfall of Rome:
"The power and glory of Rome as bearing rule over any nation, became extinct. The name alone remained to the queen of nations. Every token of royalty disappeared from the imperial city. She who had ruled over the nations sat in the dust, like a second Babylon, and there was no throne where the Caesars had reigned. The last act of obedience to a Roman prince which that once august assembly performed, was the acceptance of the resignation of the last emperor of the West, and the abolition of the imperial succession in Italy. The sun of Rome was smitten. . . .
"A new conqueror of Italy, Theodoric, the Ostrogoth, speedily arose, who unscrupulously assumed the purple, and reigned by the right of conquest. 'The royalty of Theodoric was proclaimed by the Goths (March 5, A.D. 493), with the tardy, reluctant, ambiguous consent of the emperor of the East.' The imperial Roman power, of which either Rome or Constantinople had been jointly or singly the seat, whether in the West or the East, was no longer recognized in Italy, and the 'thirdpart of the sun' was smitten till it emitted no longer the faintest rays. The power of the Caesars was unknown in Italy; and a Gothic king reigned over Rome.
"But though the third part of the sun was smitten, and the Roman imperial power was at an end in the city of the Caesars, yet the moon and the stars still shone, or glimmered, for a little longer in the Western hemisphere [empire], even in the midst of Gothic darkness. The consulship and the senate ["the moon and the stars"] were not abolished by Theodoric. 'A Gothic historian applauds the consulship of Theodoric as the height of all temporal power and greatness;'--as the moon reigns by night, after the setting of the sun. And instead of abolishing that office, Theodoric himself 'congratulates those annual favorites of fortune, who, without the cares, enjoyed the splendor of the throne.'
"But, in their prophetic order, the consulship and the senate of Rome met their fate, though they fell not by the hands of Vandals or of Goths. The next revolution in Italy was its subjection to Belisarius, the general of Justinian, emperor of the East. He did not spare what barbarians had hallowed. 'The Roman Consulship Extinguished by Justinian, A.D. 541,' is the title of the last paragraph of the fortieth chapter of Gibbon's History of the Decline and Fall of Rome. 'The succession of the consuls finally ceased in the thirteenth year of Justinian, whose despotic temper might be gratified by the silent extinction of a title which admonished the Romans of their ancient freedom.' 'The third part of the sun was smitten, and the third part of the moon, and the third part of the stars.' In the political firmament of the ancient world, while under the reign of imperial Rome, the emperorship, the consulate, and the senate shone like the sun, the moon, and the stars. The history of their decline and fall is brought down till the two former were 'extinguished,' in reference to Rome and Italy, which so long had ranked as the first of cities and countries; and finally, as the fourth trumpet closes, we see the 'extinction of that illustrious assembly,' the Roman senate. The city that had ruled the world, as if in mockery of human greatness, was conquered by the eunuch Narses, the successor of Belisarius. He defeated the Goths (A.D. 522 [*]), achieved 'the conquest of Rome,' and the fate of the senate was sealed." [14]
E. B. Elliott speaks of the fulfillment of this part of the prophecy in the extinction of the Western Empire, as follows:
"Thus was the final catastrophe preparing, by which the Western emperors and empire were to become extinct. The glory of Rome had long departed; its provinces one after another been rent from it; the territory still attached to it become like a desert; and its maritime possessions and its fleets and commerce been annihilated. Little remained to it but the vain titles and insignia of sovereignty. And now the time was come when these too should be withdrawn. Some twenty years or more from the death of Attila, and much less from that of Genseric (who, ere his death, had indeed visited and ravaged the eternal city in one of his maritime marauding expeditions, and thus yet more prepared the coming consummation), about this time, I say, Odoacer, chief of the Heruli--a barbarian remnant of the host of Attila, left on the Alpine frontiers of Italy--interposed with his command that the name and the office of Roman Emperor of the West, should be abolished. The authorities bowed in submission to him. The last phantom of an emperor--one whose name, Romulus Augustus, was singularly calculated to bring in contrast before the reflective mind the past glories of Rome and its present degradation--abdicated; and the senate sent away the imperial insignia to Constantinople, professing to the emperor of the East that one emperor was sufficient for the whole of the empire. Thus of the Roman imperial sun, that third which appertained to the Western Empire was eclipsed, and shown no more. I say that third of its orb which appertained to the Western empire; for the Apocalyptic fraction is literally accurate. In the last arrangement between the two courts, the whole of the Illyrian third had been made over to the Eastern division. Thus in the West 'the extinction of the empire' had taken place; the night had fallen.
"Notwithstanding this, however, it must be borne in mind that the authority of the Roman name had not yet entirely ceased. The senate of Rome continued to assemble as usual. The consuls were appointed yearly, one by the Eastern emperor, one by Italy and Rome. Odoacer himself governed Italy under a title (that of patrician) conferred on him by the Eastern emperor. And as regarded the more distant Western provinces, or at least considerable districts in them, the tie which had united them to the Roman Empire was not altogether severed. There was still a certain, though often faint, recognition of the supreme imperial authority. The moon and the stars might seem still to shine on the West with a dim reflected light. In the course of the events, however, which rapidly followed one on the other in the next half century, these, too, were extinguished. Theodoric the Ostrogoth, on destroying the Heruli and their kingdom at Rome and Ravenna, ruled in Italy from A.D. 493 to 526 as an independent sovereign; and on Belisarius's and Narses's conquest of Italy from the Ostrogoths (a conquest preceded by wars and desolations in which Italy, and above all its seven-hilled city, were for a time almost made desert), the Roman senate was dissolved, the consulship abrogated. Moreover, as regards the barbaric princes of the Western provinces, their independence of the Roman imperial power became now more distinctly averred and understood. After above a century and [a] half of calamities unexampled almost, as Dr. Robertson most truly represents is, in the history of nations, the statement of Jerome--a statement couched under the very Apocalyptic figure of the text, but prematurely pronounced on the first taking of Rome by Alaric,--might be considered as at length accomplished: 'Clarissimum terrarum lumen extinctum est.' 'The world's glorious sun has been extinguished;' or as the modern power has expressed it, still under the same Apocalyptic imagery--
'She saw her glories star by star expire.' till not even one star remained, to glimmer on the vacant and dark night." [15]
The fearful ravages of these barbarian hordes who under their bold but cruel and desperate leaders devastated Rome, are vividly portrayed in the following spirited lines:
"And then a deluge of wrath it came,
And the nations shook with dread;
And it swept the earth, till its fields were flame,
And piled with the mingled dead.
Kings were rolled in the wasteful flood,
With the low and crouching slave,
And together lay, in a shroud of blood,
The coward and the brave."
Fearful as were the calamities brought upon the empire by the first incursions of these barbarians, they were light as compared with the calamities which were to follow. They were but as the preliminary drops of a shower before the torrent which was soon to fall upon the Roman world. The three remaining trumpets are overshadowed with a cloud of woe, as set forth in the following verses.
Verse 13 And I beheld, and heard an angel flying through the midst of heaven, saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound.
This angel is not one of the series of the seven trumpet angels, but simply another heavenly messenger, who announces that the three remaining trumpets are woe trumpets, because of the more terrible events to take place under their sounding. Thus the next, or fifth trumpet, is the first woe; the sixth trumpet, the second woe; and the seventh, the last one in this series of seven trumpets, is the third woe.
[13] Edward Gibbon, The Decline and Fall of the Roman Empire, Vol. III, chap. 36, p. 512.
[14] Alexander Keith, Signs of the Times, Vol. I, p. 280-283.
[15] Edward B. Elliott, Horae Apocalypticae, Vol. I, pp. 354-356.
[*] Edward Gibbon, in History of the Decline and Fall of the Roman Empire, Volume IV, chapter 43, pages 273, 274, places the defeat and death of Teias, the last king of the Goths, in A.D. 533. This is the date usually accepted by historians, and is the one used by the author of this book. (See pages 127, 128.)--Editors.
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History.
Does it all fit? Only time will tell. Greater minds than mine have studied all this and put it together. I'm willing to entertain the idea that it fits and will continue to do so as I keep my mind open to be guided by the Lord to all truth.
May God continue to bless us as we seek to understand His word, putting things together as history unfolds.
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